Although she didn’t live in Paris, Charlotte Roimarmier always wanted to keep in touch with the artistic community of the capital. That’s why, started from 1920, she exhibited every year at the Salon des Artistes Français (National Exhibition of French Artists) and at the Salon des Indépendants. Her canvas never remained unnoticed.
First note from the serie « Art critics talk about it”, this article revisit the flattering critic made in 1930 by Mr Thiébault-Sisson during the Salon des Indépendants. Mr Thiébault-Sisson was a distinguished art critic for the newspaper Le Temps. This was a reference daily newspaper which was targeting French elite during the Third Republic. Its print reached almost 33.000 copies what made it the most broadcasted newspaper of its time.
Charlotte Roimarmier.com has seen its visual identity partially overhauled, particularly via the design and the integration of the new logo. This one copies faithfully the calligraphy of Charlotte Roimarmier: an appropriate way to prolong the signature of the Artist and to promote her.
Otherwise, with a constant concern of making the best to promote the painting of Charlotte Roimarmier, the website is now multilingual and allows the visitor to choose the reading language between French and English.
After many months of making historical researches, inventoring paintings and web-developping, the official Charlotte Roimarmier’s website is finally online. The visitor will be able to find all the information about the life and the painting of this talentuous artist forgotten for far too long.
On one hand, the Bibliography section has the aim of describing the most exhaustively and chronologically possible the life and career of Charlotte Roimarmier.
On the other hand, the Paintings section encourages the visitor to explore more in details the long-winded painting of the artist by allowing a genre classification and by supplying for each painting a detailed technical sheet.
Otherwise, the visitor may want to visit the News section, subscribe to the newsletter or follow the painter on the social networks (Facebook, Instagram and Twitter) in order to be kept informed about the next information to come.
Eventually, the Contact section enables every people who wish to get in touch with the one in charge of the paintings inventory, the historical documentation management and the website mastering to do so.
